Posts Mentioning RSS Toggle Comment Threads | Keyboard Shortcuts

  • koesuma 10:55 am on January 29, 2007 Permalink | Reply
    Tags:   

    LOMBA FOTO – LAW IN FRAME 

    FAKULTAS HUKUM UNIVERSITAS INDONESIA MENYELENGGARAKAN

    LOMBA FOTO LAW IN FRAME

    KRIMINAL, LALULINTAS, KKN, TIMBANGAN, PENGACARA, KEADILAN, TERATUR, NARKOTIKA, PEKERJA ANAK, TKI, UNDANG-UNDANG, PEMBAJAKAN, ILLEGAL LOGING, PIDANA, PENGADILAN, KORUPSI, HAKIM…IT’S JUST ABOUT LAW….

    CAPTURE THE LAW IN THE ACT
    SEND YOUR PICTURE TO: KAMPUS BARU FAKULTAS HUKUM UNIVERSITAS INDONESIA, DEPOK 16424.

    PENGHARGAAN I RP 1.500.000 + Trophy
    PENGHARGAAN II RP 1.000.000 + Trophy
    PENGHARGAAN III RP 750.000 + Trophy

    SYARAT-SYARAT LOMBA FOTO:
    1. LOMBA INI TERBUKA UNTUK UMUM (AMATIR DAN PROFESIONAL)
    2. TIAP FOTO HARAP DISERTAI JUDUL, LOKASI, NAMA PEMOTRET DAN IDENTITAS LENGKAP.
    3. REKAYASA ATAU MONTASE FOTO TIDAK DIPERKENANKAN.
    4. FOTO ADALAH MILIK SENDIRI DAN PEMOTRETAN DAPAT DIGUNAKAN DENGAN MEDIA FILM/DIGITAL.
    5. JUMLAH FOTO YANG DIKIRIMKAN MAKSIMAL 3 FOTO UNTUK TIAP PESERTA.
    6. CETAK HITAM PUTIH/WARNA UKURAN 13 X 18 CM (5R).
    7. FOTO YANG KELUAR SEBAGAI PEMENANG MENJADI HAK PANITIA UNTUK DIPUBLIKASIKAN.
    8. FOTO DIKIRIMKAN DALAM AMPLOP TERTUTUP.
    9. FOTO DAPAT DISERAHKAN LANGSUNG ATAU DIKIRIMKAN KE STUDIO PERFILMA: GEDUNG D FAKULTAS HUKUM UNIVERSITAS INDONESIA. DITERIMA PALING LAMBAT TANGGAL 7 FEBRUARI 2007 (CAP POS)

    JURI: OSCAR MOTULOH (GALERI FOTO JURNALISTIK ANTARA)

    CP : NIKI 08158303363

    DIPERSEMBAHKAN OLEH:
    PEKAN RAYA PERFILMA
    VOLUME (VOICE OF LAW TROUGH MEDIA)
    FAKULTAS HUKUM UNIVERSITAS INDONESIA

     
  • koesuma 10:52 am on January 29, 2007 Permalink | Reply  

    Klab Belajar Kajian Film 

    LOST IN TRANSLATION
    Selasa, 9 Januari 2007, pk. 14.00 – selesai

    BABEL
    Kamis, 11 Januari 2007, pk. 14,00 – selesai

    CRASH
    Jumat, 12 Januari 2007, pk. 14.00 – selesai

     
  • koesuma 10:49 am on January 29, 2007 Permalink | Reply  

    500 STICKER ART CONTEST. You, an artist. 

    Decorate the new Fiat 500: You could win a 500 wants you gold ingot and see your creation become reality.
    Five finalists will be chosen, and a special section will be put online containing their work and more information about them. Vote for your favourite decoration and you could win one of 50 scale models of the Fiat 500.

    could win a 500 wants you gold ingot and see your creation become reality.
    Five finalists will be chosen, and a special section will be put online containing their work and more information about them. Vote for your favourite decoration and you could win one of 50 scale models of the Fiat 500.

    500 STICKER ART CONTEST. You, an artist.

    Make-up artists, tattoo designers, master chefs: whatever art you create, why not enter the 500 Sticker Art Contest?
    Free your creative spirit and come up with your very own decoration for the outside of the new 500. The winning decoration will be used as a sticker on the exterior of the new model, and its creator will win a 500 wants you gold ingot.
    You have until the 12th of February 2007 to enter, so download the kit and get creating!
    The contest ends on 26 February 2007.

    Download the participation kit
    This kit contains a template of the 500 concept car in .jpg format, showing front, side, rear and overhead views of the car. Use it to take part in the contest. The kit is in a zipped format (488kb):

    Download it here

    Regulations of the contest.

    What is the 500 Sticker Art Contest?
    An international online competition to create decorations for the exterior of the new Fiat 500.

    What’s the idea?
    Personalise the exterior of Fiat’s new model: participants are invited to create their own decoration for the 500’s exterior.

    Who can enter?
    Everyone.
    You can take part as an artist, entering your own decoration, or as a member of the jury, by voting for the 5 finalists from all the decorations submitted.

    What are the prizes?
    - 1st prize: you could win a 500 wants you gold ingot and the honour of seeing your design created as a sticker for the new Fiat 500.
    - For the 5 finalists: We will create a special section online that contains their work and information about them;
    - 50 prizes for the voters: 50 scale models of the Fiat 500 for the 50 lucky winners drawn from all those who voted for the decorations.

    How to enter.
    All site users can enter by registering with the http://www.fiat500.com site, and then submitting their personalised decoration for the exterior of the 500 using the online form provided.

    When to enter.
    The contest runs from 15.12.2006 to 26.02.2007, in 3 stages:
    - 15.12.2006 – 12.02.2007: online entry and submission of entries;
    - 13.02 – 15.02.2007: assessment of entries and choice of 5 finalists;
    - 16.02 – 26.02.2007: voting for the five finalists;
    - by 31.03.2007: publication of the winner’s name and the voters’ draw winners.

    Read the complete Regulations in pdf format (23 Kb).

    To visualize the document, you must have the Acrobat Reader programme installed on your pc.
    If you don’t have it, click here to download it.

    more information: http://www.fiat500.com

     
  • koesuma 10:49 am on January 29, 2007 Permalink | Reply  

    HOMEPAGE REDESIGN. You, a web designer. 

    Free your expression. Give a voice to your imagination. Create.
    Submit a new graphic layout for our website homepage, working with css style sheets and using the html code that we’ve put at your disposal.
    Are you up to the challenge?

    Taken from an idea by Dave Shea, a smart web designer from Vancouver, Canada
    http://www.csszengarden.com

    ips&tricks.

    Here’s the page for computer geeks, by the computer geeks who developed 500 wants you.

    This page is for those of you who want to express themselves by creating a brand new homepage of the 500 wants you website.

    If you’re already familiar with html and css, then you’re ready to get started – the existing homepage is “table-less” (without HTML tables), and completely written in html and css. You’re welcome to download the source code for free.

    The concept behind this initiative came from Css Zen Garden: the idea of developing a website that’s controlled only by CSS, allowing for constant development through personalisation proposals created by other web designers and developers. From developer to developer we’d like to encourage all web designers and developers to share in the spirit of the 500 wants you project.

    You are welcome to ask questions or contribute your ideas on how to improve the code!

    Here are some F.A.Qs. to understand more.

    Will all the proposals be published?
    The publication of your contributions will be moderated. Obviously we cannot publish material protected by copyright if we do not have the owner’s consent. Therefore, all the images contained in your proposal must not violate current copyright laws. A team will select the proposals to be uploaded as new website homepages; but whether or not your design is chosen for this purpose, it will still appear in the online gallery (as long as it clearly respects copyright rules and principles, decency and taste).

    Are there any guidelines to be followed?
    We do not dictate guidelines but we request that your design has relevance for the communication and style of the 500 wants you project. And the greater the relevance of your design, the higher the chances of your proposal becoming the new homepage. In fact, to ensure that the new proposals are in line with the 500 wants you website concept, the team judging the contributions is made up of the web designers and art directors who created this website.

    - The website is optimised 800×600.
    - The colours chosen for the website are the 500’s classic colours.
    - The images supplied by the kit may be used freely: to create your homepage you can rework them however you like, but you may not use them for any other purpose than those described here.
    - If you would like to have more images or higher resolution ones, you can download them from the official Fiatautopress website, following the path “Photo archive/ Historical files/ 500
    - 500 wants you logo should be used in your homepage proposal.
    - Only .zip files can be submitted. Your .zip should include your css file and related images (jpg and gif files). HTML file in the kit is just an example and you should not modify it.
    - If your homepage proposal is clearly visible on all browsers, your chances of having it published will increase.
    These indications are not intended to limit your freedom of expression: in fact all the proposals will be published in the online gallery, including those not selected to become a new website homepage.

    If you have read up to this point, are not a web designer or developer but do have some peculiar, funny or curious pictures of the 500 which you’d like to send to this website, we suggest you visit the 500-ology.

    What are CSS?
    Cascading Style Sheets (CSS) enable you to format an html page very effectively, creating clean code without having to resort to nested tables. It is incredible how, starting from the same html page, so many different webpage designs can be created simply by changing CSS style sheet. CSS also make websites more readable by search engines. From a usability and ease of access point of view, a website designed using CSS like this one also has more advantages than, for example, a website developed using Flash.

    Try to print the website homepage: you will see that it is completely devoid of images, whichever personalised option you’ve selected. Click here to see the text-only page.

    On the website homepage, the main navigation menu is always visible and it “moves” horizontally together with the page; this can be done only in javascript. The reason we chose to do this is because the website will develop horizontally, with the content becoming richer over the 500 days of the project.

    The kit version of the homepage that you can download does not contain this function, so you are free to decide where to position your navigation menu.
    And if you don’t like the horizontal scrolling, take up the challenge of designing a different interface. Who knows, perhaps it could soon replace ours! ;-)

    DOWNLOAD ALL THE MATERIAL YOU’LL NEED
    This kit is in zip format (4,6 Mb)

    SUBMIT YOUR NEW HOMEPAGE

    more info: http://www.fiat500.com

     
  • koesuma 10:07 am on January 29, 2007 Permalink | Reply  

    Sub Rosa Poems with Kuburan 

    Pernah dengar lagu-lagu Band Kuburan? Atau beruntung menyaksikan stage performance mereka yang giat bekerja melantunkan tembang dengan aksi yang mengocok perut Anda? Oke, kalau begitu coba bayangkan bagaimana mereka membacakan puisi-puisi dalam buku Sub Rosa, karangan Aurelia Tiara, yang dikategorikan puisi romantis (baca : serius tentunya!).

    Kacau? Hancur? Wah, dugaan Anda tentu meleset layaknya anak panah yang diluncukan oleh Robin Hood mabuk. Jawaban yang tepat dari kompilasi kedua ion tersebut, adalah MELENGKAPI!

    Jadi memang sayang sekali kalau Anda melewatkan acara yang diadakan di Tobucil – Common Room, Jl Kyai Gede Utama 8, Bandung tanggal 21 Januari 2007 kemarin. Petang hari itu, launching buku dan pembacaan puisi Sub Rosa karya Aurelia Tiara berjalan sangat meriah.

     
  • koesuma 7:58 am on January 29, 2007 Permalink | Reply  

    Speech given by Qaisra Shahraz 

    as a part of The Identity Project at the Linden Museum in Stuttgart on the 27th July 2006

    Today is especially a highlight for me as I am delighted to be attending this marvellous event. A year ago I was approached by Ingrid Stritzelberger to become involved with the launch of this wonderful project. For a week I will be visiting schools and a teacher training college, working with students and teachers. I am especially looking forward to working with Ingrid’s [Strizelberg’s] pupils.

    I wish to congratulate the entire team, teachers and students, who have worked so hard – what an achievement! I also would like to say how similarly impressed I was with the previous projects done by the same team, in particular the one on William Shakespeare. What a wonderful resource! My own students in Manchester have all enjoyed using it. I am sure that this new project will be so welcomed and valued by all users.

    I was asked to speak on the topic of identity and I am delighted to do so; as it strikes a strong chord in me on a personal level. As a Muslim woman, of Pakistani origin, I am forever contemplating about my own multiple identities.

    So what is identity? What do we mean by it?

    I believe identity is a package that makes every one of us be a unique human being. Often it comes as a package of multiple identities, as in my case or in the case of most migrants, where we weave in and out of these multiple identities and with such ease without even giving it a thought it on a daily basis.

    At the heart of it all, I think, is the concept of diversity. We are all different—and differences need to be celebrated and valued, not denigrated or seen as a problem. We are all different in some way or other—even identical twins! It might be the colour of the eyes, our habits, our beliefs, our skin colour, our height, the language we speak, the way we dress, the food that we like, the music we love or hate, the accent of our speech—and so on.

    Stereotypes arise when we try to pigeonhole people into narrow slots of human behaviour based on our people’s perception. We should view them through the prism of our own world. One’s own identity or background shouldn’t be seen to be in a superior position to the others.

    Young minds, young children in particular find it a challenge trying to accommodate the varied packages of these multiple identities; in particular the world of home and that of the outside. They often struggle and with the conflicts they find themselves in as well as the outcome.

    My short story: A Pair of Jeans, focuses on this conflict of multiple identities. My heroine Miriam is totally at home in both her worlds and her two identities; she manages to switch in and out of them very easily. Yet on one day her clothing, and the manner in which it is worn has her two identities clashing head on; this leads to both confusion in herself and to those around her—or as is often termed, to a cultural clash.

    I will now read a short extract from my story. [Author reads extract.]

    Respect for others identities or backgrounds is so crucial, especially at this moment in time. There is a lot of conflict around us and a lot has been made to stir up trouble intentionally by focusing on our differences. It is wrong and highly mischievous to do that.
    At this moment in time the need to build bridges and to tackle negativity is crucial.
    Often this negativity arises out of pure ignorance, lack of awareness and racism. A better understanding of other people’s faiths, customs, cultures, and appreciation of their different backgrounds is so important. By doing this we are in a better position to view others with equality, respect and human dignity.

    As teachers, myself included, it is so important to learn about the pupils who we teach, and their background. If you ignore the identity package they bring with them, you risk devaluing that child, its human dignity and self respect. This leads to misery, clash of cultures and an identity crisis – the child is literally lost between their two worlds.

    Similarly, the migrant, whether a child or an adult, has to learn and appreciate the identity package of the host community, and to adjust accordingly. They should integrate as far as possible without compromising their beliefs, faith and customs. If one believes that they should cover one’s head with a scarf, they should not be forced to go bareheaded, because the host community wishes it. If eating pork is against one’s religion, they should not be forced to eat it? These are just two examples. One has to be sensitive and respect these differences than demand that they become exactly like us. No human being can become a clone of another. In any event is it not human arrogance for anyone to expect that to happen.

    I have lived for a long time in Britain, practically all of my life, since I was eight — years old. Yet I have successfully managed to keep all of my three identities in tact and fluid; and regard them and had them regarded by others of equal importance throughout my life. The end result, a wonderful feeling and well adjusted human being who is truly at home in all contexts of my three identities.

    So who am I? How do I describe myself? I introduce myself as a British Muslim woman of Pakistani origin. Hence I have multiple identities. For me all three identities are of equal importance – all worthy of celebration and all enriching my life.
    Let me unpack these three identities of mine. What is it like to be British Muslim woman who still has strong connections with another country?

    First and foremost I regard myself as British, as I have lived all my life in Britain and it is where my heart and home is – there is no question of loyalty. English is and has become my first language. It is the language I use in everyday context at home, especially with my children and in the world outside. I not only think in English but have begun to see things like many other British people. The British values to some extent have become mine, in particular to do with fairness, equality, and treating
    others with respect and humanity. I eat British food: fish and chips although so unhealthy, still remain a treat for my children especially with mushy peas. Like any other British person I am gasping for good old English tea no matter where I am. I like and wear western clothes though the fashion these days makes it more difficult for me as a Muslim woman to choose, because most are designed to show so much of the flesh. I have friends all over the UK, as well as good friends with whom I share my thoughts. I watch and enjoy on a weekly basis some of our wonderful soaps (daily family dramas), like Coronation Street based in Manchester and East Enders based in London for example. I am hooked, like most people, on these soaps. The Big Brother shows however have no appeal for me. At times I find them revolting, but they are very popular with the young people. I have been well fed and grown up on English literature, studied it to a masters degree level, learnt a lot of British history, fascinated by Henry the Eighth and his six wives. The music of the Bee Gees and the Carpenters still bring a smile to my face.

    Manchester is a great city and I love it. It has everything going for it. I have spent almost my entire life there, attended the primary school to university. My extended family which includes my parents, my siblings, their in-laws, all live in the greater Manchester region. Above all, Manchester is where my home and heart is and although I hate its rain, I love the cool summer of Britain.

    Now my Muslim identity: I am a practicing Muslim, by birth and by choice, not a fanatic as some. My name identifies me as a Muslim – it’s an Iranian name with its roots is Latin from ‘Caesar’, so I have been told. My name Shiraz is from a city in Iran. I am not given to the belief of suicide bombings and jihad etc. My lifestyle, moral and social behaviour, thought processes, and conduct in life, are dictated by my faith. For I avoid having to touch men. I address Muslim men as ‘brothers’ and women as ’sisters’. Out of my mouth these phrases are always uttered, inshallah, meaning ‘God willing’. I greet other Muslims with ‘Asalama Alaikum’, peace be with you. I do not eat forbidden food i.e. haram food, pork for instance, and only eat halaal food. I don’t drink alcohol. I pray, although not as regularly as I should. Often because I am lazy but during Ramadan the holy month of fasting. I try to make up it up and go to visit the local mosque. There with a group of other women perform a special prayers called: tharavee. It is a fantastic experience, ask some of your Muslim students, neighbours or friends and they will enthusiastically tell you about it. Praying with a group of Spanish Muslims in the Granada mosque was an exceptional experience.

    I have done hajj, the pilgrimage, a wonderful annual journey with its set of rituals in Mecca and Medina that all Muslims should perform once in a lifetime. What a fantastic experience it was. I have written about it in British newspapers including for The Times, and in my novel The Holy Woman.

    I did an Islamic studies course at university and leamt about the famous Ottoman Empire, of what is now Turkey, the great Mughal empire of India, the Moors rule in Spain. I studied the literature especially the wonderful poetry of Rumi, Sadi and Ghalib etc, all these are great men who enriched world literature etc. Islam and Muslim people have contributed a lot to the world’s civilization. I specialised in art completing a dissertation on miniature paintings which I love.

    I follow rituals like eating with my right hand, relating to washing and personal hygiene. My house has a prayer mat in every room.

    My other identity package relates to my Pakistani roots. I was born in Pakistan and have childhood memories of Lahore the old Indian capital city with many gates dating back five centuries in India. These memories have enriched me and I savour them. They helped in writing my two novels: The Holy Woman and Typhoon, which are both set primarily in Pakistan. Pakistan is my second home, the family house from my father’s side is still there and we go there to stay. I have good links throughout Pakistan forming friends there just as I am now doing here in Germany. I have done similar literary tours in Pakistan. Visiting colleges, universities, offering lectures in teaching training or on literature or launching my books. I have had a drama set and produced in Pakistan. The issues I feel strongly about have a lot to do with the society of Pakistan. I speak the two main languages, Urdu and Punjabi, the language of the Punjab.

    I love the Pakistani food, my husband and I relish cooking it. My palate misses the spicy taste when I am on holiday. I make fresh chapattis for my family everyday. I wear Pakistani clothes, shalwaar kameez for everyday wear, especially in the summer and at home. At parties, like on this occasion. I have a whole set of glamorous outfits including lenghas as the one I am wearing today and saris. I have a rich wardrobe of different styles of clothes, colours, textures, silks, chiffons, and satins I love wearing them at wedding parties. This outfit I am wearing today was designed by myself for my sister’s wedding and was made in a famous bazaar in Lahore.

    In Manchester there is a sizeable Pakistani community and I am an active member of it, attending all functions, meeting and befriending members of the Pakistani community both locally and nationally.

    Like any other migrants weaving in and out of two worlds and cultures there are those moments of displacements. Where the three identities do occasionally clash, where sometimes you feel you are an alien both in Britain and in Pakistan, belonging to neither. For instance when I go on holiday to south of England, the manner in which some people stare at you because of your colour it sadly brings it home to you that despite having lived all your life in Britain, you are still at times regarded as being different, and made to feel alienated. The same thing happens when I visit Pakistan, There too I don’t truly belong, and holidaying is one thing settling in is another matter. Different mind set and values, behaviour, etc. It is then it strikes me that generally I am more British than Pakistani. I guess you become a product of society that raises you. When people talk about integration I smile wryly—if my example is not of integration then what is! My British mentality tends to dominate on the whole.

    In Britain I wish there was more awareness that colleagues would remember to send me an Eid card, not always a Christmas card. I wish they were more sensitive and remember that I am fasting etc. These are moments where you become lost in the world of being a minority. You almost become invisible. I realise that part of the problem is sheer ignorance and lack of knowledge. Of people not knowing, if you don’t know you can’t appreciate. I offer cultural awareness training to my institution
    and other places, so that people can gain a better understanding of each other’s personal world and above all to learn to respect and understand each other better.

    There have been many moments of compromises in my life and I can share some of those moments which made me feely uneasy. In France at a scriptwriter conference in Aix en Provence, I had to place my hand over a glass to stop people trying to put wine in it, even after I told them I did not drink In Slovenia on a recent teacher training course we as group of foreign participants were asked to get to know each other better in the very first hour and with one activity ended up having to sit in each other’s laps. I remained perched on the end of the seat, for I could not sit on the lap of a Czech man. Politeness had to be put aside as I had to tell the trainer that I could not do that. In any event it was an inappropriate activity for any group of people to do. It is an invasion of one’s physical space.

    In Greece a long time ago when staying with a Greek family. Wonderful people almost like family; we went swimming in the open sea. The other women wore the bikinis; I was cajoled into wearing a tee shirt. When I left the water, of course the tee shirt was plastered to my body, leading to personal embarrassment. I have never repeated that action since.

    Many a time I have had to endure kisses being planted on my face by male colleagues as a social gesture. It happens so quickly that you can’t even duck away nor can you explain to them there why it was wrong – you just hope that they knew. Three years ago a colleague, an inspector friend attended my book launch party and did two things that you must not do to a Muslim woman. He handed me a bottle of wine as a present and then went on to plant a kiss on my cheek—touching a Muslim woman including shaking other hand is to be avoided. Many a time I have had to explain to colleagues not offer their hand to Muslim women unless like the Somali women they offer it as it is a custom in their community, but they cover their hands with a cloth so that no physical contact as such takes place. When I have Muslim students in my class I am very sensitive to the seating and physical space arrangements and try to pick up from their body language how they feel about it. There are many other instances.

    I think I have shared enough about my personal world. I hope it has given you an insight into what it is like to have multiple identities. Thank you so much for your time and for being such a great audience and for joining us here.

    I will now let Ingrid introduce a very special lady and a very dear friend of mine, Professor Liesel Hermes who has travelled down from Karlsruhe this afternoon to join us here.

    If anybody wants a copy of this paper they can get in touch with me via my email: qshahraz@hotmail.com. If you want to get in touch to either ask any questions personally or to invite me to visit your school or relating to this paper do feel free

    Enjoy the rest of your evening.

    Qaisra Shahraz 2006

    This text is for non-commercial educational use only. All other use is by permission of the author only.

     
  • koesuma 7:55 am on January 29, 2007 Permalink | Reply  

    Achmad D. Tardiyana: Masih Menuggu ”Spill Over” 

    DITEMUI di tengah-tengah kesibukannya sebagai seorang Urban Designer, staf pengajar Studi Arsitektur dan Rancang Kota ITB, serta koordinator workshop kegiatan Artepolis, Achmad D. Tardiyana, berbicara tentang peran urban designer dalam relasinya dengan perkembangan potensi kreatif kota.

    Bicara tentang daya dukung kota, apakah Bandung cukup komunikatif untuk merespons perkembangan aktivitas kreatif warganya?

    Saya lebih melihatnya pada level individu. Mereka masing-masing beraktivitas, tapi aktivitas ini tidak berkembang dalam komunikasi yang lebih terbuka. Misalnya, orang-orang di luar komunitas, tidak tahu apa yang mereka lakukan dan keberadaan mereka. Menurut saya, sebenarnya sayang. Maksud saya gini, kota yang menarik adalah kota yang menawarkan banyak pilihan dan orang-orang merasa punya kesempatan untuk bisa tahu, pilihan-pilihan yang ditawarkan itu seperti apa.

    Apa ini semacam proses menyusun puzzle perkembangan kota itu sendiri. Jadi kita semua tak tahu ini gambar besar perkembangan itu mau dibikin seperti apa?

    Nah, saya lihat, justru yang harus melihat gambar besarnya itu dari pengelola kota. Idealnya menurut saya, kalau pengelola kota tidak mengerti, dia kan bisa manggil ahli. Tolong dong, jelaskan kecenderungan apa sih ini dan para ahli bisa jelaskan. Kira-kira, policy seperti apa yang bisa dibuat. Nah, itu yang tidak terjadi. Jadi, tak terbaca. Peran si pengelola kota yang melihat dan membaca ini sebagai potensi. Tapi, pengelola kota itu selama ini tidak ngeuh. Soalnya, mereka punya bahasa berbeda. Itu yang tidak terjadi kalo menurut saya. Jadinya, masing-masing berjuang sendiri-sendiri.

    Termasuk kalangan akademis?

    Menurut saya, akademis itu membantu, mencoba juga membaca itu. Dan itu yang coba disampaikan ke pengelola kota.

    Bicara soal peranan urban designer atau urban planner, dia pasti punya peranan untuk membentuk wajah kota. Tapi, selama ini juga kayaknya masih berjalan sendiri-sendiri. Mereka asyik bikin fisik kota tapi tidak memerhatikan penghuninya?

    Ya, memang selalu terjadi gap, sering tak bisa terhindarkan antara kejadian yang berlangsung sehari-hari dan kota berubah begitu saja. Ada penulis yang menyebutkan tentang productional space, menurut dia ada yang disebut sebagai urban praktis yang sehari-hari terjadi. Terus ada yang namanya representational space. Itu adalah ruang-ruang abstrak yang dipersepsi oleh arsitek, urban designer, bahwa ruang-ruang kota itu harus begini harus begitu. Geometrinya harus begini harus begitu. Tapi, itu tetap berada pada level yang abstrak. Jadi, apa yang dijalankan oleh masyarakat kotanya dan dibangun oleh arsiteknya, seringkali ada gap.

    Jika arsitek atau urban designer bisa mengambil peran yang menjembatani antarpengelola kota dan warganya kira-kira seperti apa yang paling realistis untuk dilakukan?

    Mungkin seperti yang dilakukan PSUD (Pusat Studi Urban Desain). Membantu pemerintah kota merumuskan arahan-arahan pengembangan untuk membuat lingkungan perkotaan lebih baik. Walaupun kadang terlalu fisikal, sih. Karena sifatnya projek, kita mau partisipatori dan sebagainya. Itu kan proses panjang. Sementara, projek terikat sama jadwal, dananya segitu. Hal-hal ideal jadi sulit, tapi paling tidak awareness. Ada kelompok masyarakat tertentu yang harus diakomodasi, kan bisa dilakukan.

    Dengan segala keterbatasan Bandung, rencana pengembangan seperti apa yang paling realistis?

    Sebenernya itu di luar kemampuan urban designer. Sebagai urban designer, yang tugasnya merancang ruang-ruang kota secara tiga demensional. Kita itu sebenarnya menunggu spill over dari kegiatan kreatif, bukan justru urban designer-nya yang merangsang. Untuk merancang ini, kita butuh investor yang visioner, butuh policy pemerintah yang bisa mengarahkan dan memberikan insentif. Urban designer berkepentingan dengan komunitas-komunitas kreatif, karena dari berbagai studi, komunitas-komunitas kreatif ini selalu menuntut kualitas ruang yang baik. Gaya hidupnya itu menuntut kualitas ruang yang baik. Orang-orang yang bergerak di bidang kreatif, tidak menjadikan uang sebagai satu-satunya gol. Uang plus gaya hidup yang membuat dia merasa nyaman. Sehingga menurut studinya Richard Florida, pilihan di mana dia akan hidup, itu menjadi penting. Concern urban designer itu untuk mewadahi kelompok ini. Orang-orang ini pasti suka dengan kehadiran museum, suka dengan kehadiran galeri, kafe, taman, dan ruang terbuka, karena gaya hidupnya mengarah ke arah sana. Urban designer bisa bekerja sama menciptakan ruang-ruang kota semacam itu.*** (tarlen)
    wawancara ini dimuat di PR Kampus, 20 Juli 2006

     
  • koesuma 8:00 am on January 1, 2007 Permalink | Reply  

    Selamat Pagi, Sekarang Tahun 2007! 

    Pagi ini saya bangun dan menyadari tahun telah berganti. Masih belum banyak persiapan yang saya lakukan untuk menyambut hari baru. Termasuk di antaranya menyiapkan tampilan baru Common Room di 2007.

    25 Desember 2006 kemarin merupakan hari jadi Common Room yang kedua. Tak hentinya Common Room berbenah baik dari segi struktur maupun infrastruktur agar impian dan cita-cita dapat terlaksana. Dari awal perjalanan, Common Room terbentuk atas kesamaan visi dan tujuan Bandung Center for New Media Art dengan Tobucil. Menginginkan adanya sebuah wadah bagi warga kota untuk menyalurkan ide dan gagasan. Kebutuhan untuk berkumpul, berbagi, dan menunjukan hasrat masing-masing di bidang seni, literasi, dan berbagai pemikiran di lingkungan.

    Banyak peristiwa dan prestasi yang telah diraih Common Room, baik di tingkat lokal dengan slogannya “Support Our Local Literacy Movement”, maupun event internasional melalui acara yang diprakarsai bersama juga undangan-undangan ke berbagai negara sebagai wujud apresiasi dan dukungan bagi organisasi Common Room.

    Semakin mapannya Common Room ditandai juga dengan disahkannya Common Room sebagai yayasan dengan nama Yayasan Ruang Kolektif / Common Room Networks Foundation. Namun bukan berarti tujuan telah tercapai dan tinggal menikmati hasilnya, justru kerja keras semakin diperlukan untuk menjaga pergerakan Common Room sebagai ruang inisiatif bagi setiap orang yang berkeinginan.

    Yang tengah diperjuangkan Common Room saat ini adalah membangun kemandirian dalam melakukan semua aktivitasnya. Common Room juga mulai merapikan sistem organisasi dengan dipilihnya R.E. Hartanto sebagai ketua Yayasan, dan dibantu oleh Dewan Pembimbing.

    Semoga dengan perencanaan yang baru ini, Semua bisa menemukan kembali ide yang mendasar mengenai alasan tercetusnya Common Room, dan dapat menyiramkan kembali semangat dan pandangan baru bagi orang-orang yang pernah merasakan manfaat dan mengambil inspirasi dari keberadaannya.

    Saatnya bangun dan menghirup udara segar di tahun 2007. Saatnya melepas kejenuhan dan menemukan semangat baru dalam beraktivitas.

     
  • koesuma 10:49 am on December 29, 2006 Permalink | Reply  

    Seminar Kecil Kekerasan Berbasis Gender: “Kekerasan dalam Pacaran” 

    Selasa 5 Desember 2006
    Pk. 15.00 – 17.00 WIB


    Seksualitas dan kekerasan dalam pacaran, “Pacar suka mukul, diapain yaa?”
    Narasumber: Popi / Susan

    Gratis, tanpa pendaftaran. Tempat terbatas.

    Kegiatan ini terselenggara atas kerjasama Jaringan Mitra Perempuan dan Common Room

     
  • koesuma 10:49 am on December 29, 2006 Permalink | Reply  

    1st Hearing: The Sigit – Live Acoustic Performance 

    Kamis, 14 Desember 2006
    Pk. 15.00 – 18.00 WIB

    The Sigit akan mempersembahkan lagu-lagu dari album terbaru mereka, “Visible Idea of Perfection”

    Ajak teman-teman kamu. Acaranya gratis!!

     
c
compose new post
j
next post/next comment
k
previous post/previous comment
r
reply
e
edit
o
show/hide comments
t
go to top
l
go to login
h
show/hide help
esc
cancel